Sunday, November 23, 2008

Stranger in the 70s - The Popularity of Windswept Pianists

Relax and enjoy the warm tones of Richard Clayderman's "Ballade Pour Adeline" as he floats through Paris on the back of a flatbed truck playing the piano and staring at you like a hungry dog.

Every now and then an anomaly appears in the record charts that just defies description. French pianist Richard Clayderman is one of those anomalies. His first single, proudly displayed in this post, sold 22 million copies in 38 countries in 1976. Since then he has sold upwards of 90 million records. Not bad for a former session musician.

There was an untapped market in 1976 for what I can only describe as middle class foreplay music. In terms of foreplay music, he was no Barry White. he wasn't even Mantovani (although Mantovani's influence on White's string arrangements is blatant), he was a handsome, safe French guy with a soft-fingered approach to love that thirty-something women could dig, and bachelors with black leather and chromed steel tubing furniture in their pads could use to lure the demure into the mood. I mean, look at him. The guy just oozes risk-free romance.

Having said all that, he's still enormously popular in South East Asia, so maybe I'm painting a incorrect picture, but back then, it was all Mateus red wine and whispered conversations in front of the gas fire on a cold winter night before Clayderman finally brings you to a point where you simply have to slip into something more... comfortable.

Friday, November 14, 2008

Ten Things We Miss From The 70s

10. Pan-Am and TWA
Although these two airlines did start way back in the 30s and did continue beyond the 70s into the 90s, there's something classically 70s about Pan Am and TWA that's hard to pin down. Maybe it's the funky logos and typefaces they used. Pan Am had a reputation of being a pretty classy airline, which is why I'm including the magazine ad about first class down below. Notice the ridiculous amount of text you got in ads back then?
 
Pan Am's other famous tagline was "If you do not master your aircraft, your aircraft becomes your master".
 
Anyway, I was in a thrift store last weekend and came >< this close to purchasing an old TWA vinyl holiday bag in red and white. Although it would have made for a cool retro messenger bag, I had to remind myself that it was TWA, after all, and reminded me of Thomas Cook holiday catalogues. Brrr! Sent a chill down my back, I can tell you.
 
In the 70s, the term "widebody" was reserved for the aircraft, rather than passengers from Topeka.
 
TWA Commercial from the 70s, featuring Peter Sellers
 
Oh, hey, and this is the exact bag I found in the thrift store...
 
 
You may now realize why I didn't want to spend $30 on it.
 
Related: DC-10 Crashes
"Look, ma, no engine!"
 
Yes, I know I shouldn't joke about them, but it was hard not to. To start with, the cargo doors had a habit of blowing off the plane in mid-air, causing them to decompress and fall out of the sky. So they fixed the problem and went back into service, only for the engine to fall off of the DC-10 you see above at Chicago's O'Hare Airport. For a long time, as a kid, whenever we saw a plane flying over our school, we'd assume the worse and run for cover, just in case it was a DC-10. Since then, I've flown on a couple of DC-10's and they're not bad little planes. I just tend to pray more whenever I board one...
 
 
9. Leisure Suits
Luckily, I wore some weird crap when I was young, but no one bought me one of these. I was a shorts and t-shirts kinda kid, preferably tennis-related, and I could make a pair of Converse Chuck Taylors last forever. I'd have hated being stuck in any kind of suit back then, let alone one made with 100% polyester, but now... hey why not? They're color coordinated, no need to iron, and you look like a guy who's ready to safari. How can you beat that?
 
Rather typically, Adam couldn't find a seat in the cafeteria because the German tourists had claimed them all already by 6am.
 
Related: Iron-On Patches
These guys made it into the 80s with the rise of the denim jacket and metal band, but they were at their best and weirdest in the 70s. Why on earth would anyone buy an article of clothing, then buy a patch which is not much more than an advert for a product, then spend the time ironing them onto said article of clothing? Because jeans are expensive and you've worn a hole in the knees, of course!
 
Having said that, not sure if my mum would have given me one of these to put on my knees. Not until I was 10, anyway.
 
You can never have enough Schlitz on your jeans.
 
Related: Crimplene
I really shouldn't have to say too much about this stuff. Yet another non-iron man-made polyester blend that neither breathed nor fitted properly. The dress below is 100% crimplene, and makes even a headless mannequin look like a sweaty Stay-Pressed Cruella DeVille. However, because of its memory plastic nature, you could roll it up, throw it in a TWA Vacation Getaway bag, fly to DC, take it out and throw it on and still look great in time for the Ambassador's Party. Just stay away from naked flames, or hairy waiters serving Ferrero Roche.
 
Everybody run, Joan Crawford's ghost is coming for you...
 
8. Datsuns
I honestly miss Datsuns. There was something of the Ford Capri to them. Long noses and lean muscular racing lines, and cool, cool colors. When Nissan killed the brand in the 80s I was so disappointed. Don't forget, I had a couple of Datsuns in my Matchbox Super 75 collection, but I never had any Nissans, no sirree. So, yeah, bring back the Datsun.
 
Believe it or not, the 610 really was the most luxurious Datsun.
 
Plus, they had a logo that looks just like a London Underground station.
 
7. LED Digital Watches
LED watches came out just before the more comonly known LCD watches which is what we would conceive of as a digital watch today. But LED watches were way cooler. For a start, they required more power than an LCD watch, which meant that, in order to find out what time it was, not only did you have to look at your watch, you had to find a big silver button on the side and press that in until you had a dent in your finger to make the LEDs light up. Some of them had a calendar, too, but by then, your finger's got a hole in it, and you're using an ice lolly stick to bridge the gap and hey, it's not worth the trouble, man.
 
Despite that, all you could think about was that you had a watch that looked like it belonged on an astronaut, and who wouldn't want that?
Someone actually thought it would be a good advertisement to show this watch not telling the time.
 
6. People On The Moon
Speaking of astronauts, remember when they didn't just go up in space, float about a bit then come back down again? That's right, we actually sent them places. What's crazier is that we sent them to the moon using computers that have been eclipsed in power and memory by my old Motorola Razr. That's some pretty heavy stuff right there, dude.
 
Apollo 17 Astronaut re-enacts scenes from "Dude, Where's My Car?"
 
Related: SkyLab
This thing was about the size of a Lower East Side studio apartment, yet three people at a time lived and worked in it 24 hours a day 7 days a week for months. Sure the Soyuz cosmonauts had it bad, but think about the smell. It's not like you can just open a window or anything. International Space Station? Luxury! On the plus side, you were closer to home than the crazy guys on the moon. Bad side? When everyone left it, they just waited for it to fall out of the sky. If that was its main purpose in life, you might as well saved all those tax-payer dollars and thrown a DC-10 up there instead.
 
Ceci n'est pas une pipe.
 
5. Jimmy Hoffa
Okay, I don't miss him. But he is missing. Still. Rumor has it that I ride over him on the train every morning on the way to work.
 
Giants Stadium Stairwell Foundation, East Rutherford, NJ: Self-portrait.
 
Related: Lord Lucan
This guy, however, I do miss, because I grew up on the stories of his disappearance and there were constant sightings of him appearing in the papers all through the 70s and early 80s. Lord Lucan killed his children's nanny with the lead pipe in the basement, and tried to kill his wife, too, before she escaped and called for help. When the police searhed the house he was not there, and has never been found since. Rumor has it that he fled to Rhodesia and changed his name to Ian Smith.
 
"Oui, oui, je suis une porn star."
 
4. A world without home computers
I know, I know. Without this thing I wouldn't be able to write this, you wouldn't be able to read it, and Google Analytics wouldn't keep making me cry by telling me I have no hits. No matter, I'm not sorry. I really would prefer a world without email, Blackberrys, internet porn, first person shooters and worst of all, national databases. So, that begs the question... What did we do without home computers?
 
Instead of Word Processors we had Typing Pools
 
The device below is called a typewriter. A police officer in 2008 found one of these in a carrying case at the bottom of a set of stairs and called in the bomb squad to blow it up, because he'd never seen one before. Then again, this was in Florida, so no big surprise there.
 
Typists in the 70s were trained in school, and probably wouldn't be able to get a job unless they touch-typed at an average of 70-plus words per minute. 90 WPM was more common. Sometimes a typist would have to take a dictation, either live, or from a cassette, and would use either a weird squiggly language called 'short-hand' or type as fast as the person was speaking. In teh 70s, if you were a short-hand or audio typist, with a 90WPM speed, you'd get pretty far in your typing pool.
 
Mildred always lost the Friday afternoon 'staring slightly to the right' competitions.
 
Ever wonder what the CC stands for in an email? It means Carbon Copy. That was a sheet of carbon paper that went between sheets of regular paper that would print on the second sheet as you typed. You could make about 4 copies of anything at any one time using that stuff. After that, the hammers of the typewriter wouldn't be strong enough to go through all that paper. Carbon paper was a great time-saver, but you never really wanted to touch it, as it would invariably go all over your hand, and then everyone would know who strangled their boss last Friday.
 
Telex
Your average business card in 2008 contains your phone number and your email address. In the 70s it would be your phone number and your Telex number. Fax machines existed, but they were extremely poor quality. Much better to type out your message or letter again and then send it via telex. Or, even better, by mail. If the postmen weren't on strike, that is.
 
Sure, for 1978 this was a pretty cool laptop, but it was a bugger trying to fit into my messenger bag.
 
TeleType Machines
If you listen to radio news, you'll hear one of these clacking away in the background. Well, at least a looped audio file of one, anyway. My main memory of these is the British TV Sports show, Grandstand. After 4.30pm every Saturday, the football results would start coming in, and rather than just telling us what they were, they'd actually cut to the teletype machine as it was receiving them and a man with the most BBC English voice you'ev ever heard would read them out. We all waited with baited breath for the Scottish results to come in, though, as we all longed for him to announce "Forfar 5, East Fife 4", but I don't think it ever happened.
 
The new Terminator could take any shape or form, once it had touched it.
 
Related: A world where political scandals ended in something other than '-gate'.
 
3. Smitty
The "Smitty Did It" ad campaign was huge back in the mid-70s. Somehow, just the knowledge that you were wearing it was enough to reverse gravity. I mostly miss this, though for one reason, as no one I knew actually wore the stuff (they all used Charlie)... My sister used to pick me and swing me around while I sang the jingle.
 
Weird memories tend to land on my head like that.
 
Smitty: Anti-gravity juice for ladies.
 
Here's a link to the commercial. Hopefully it works as I can't test it here.
 
Related: Harmony Hairspray
Is she or isn't she, the commercial used to ask us. And of course, she was, but only until the invention of mousse.
 
 
2. Beverage Pull Tabs
For years we were given cans that had pull tabs that came completely off, rather than the ones we have today that scrunch metal into your drink before you get a chance to drink it. Pull tabs were great when they worked, but they had two problems. Firstly, sometimes the ring section would break off, leaving the can completely unopenable, except with a stick.
 
Each can came embossed with two easily ignorable sentences.
 
Secondly, the streets were littered with these things:
 
 
Mostly, they were squashed by cars or bikes. There are some sections of road in London still where you can see them, flattened and embedded into the asphalt as though they were part of the mixture. Archaeologists in thousadns of years time will dig up those roads wondering why we placed them there, and they'll never know. They'll never know.
 
Related: Watney's Party Seven
Because a party ain't a party until someone brings a couple of sevens with them. This is just a seven pint can of cheap crap ale. It wasn't a keg, because it didn't have a tap, you just poked a hole in it and poured.
 
Ta-daa! Instant party!
 
1. Chicken In A Basket
Before my dad had his Triumph Dolomite, we had a Morris 1300.  Where we lived in London, the spot behind my dad's car was taken up by an orange Reliant Robin that was used as a Chicken-In-A-Basket delivery van. To this day, I know that CIAB was supposed to be classy, if you were working class council flat kids like me, but for the life of me I don't know why. It's not chicken cordon bleu, it's not not even chicken kiev, it's just chicken. And it's not even on a plate.
 
Still felt posh, though...
 
It's chicken. And it's in a basket.
 
Related: Black Forest Gateau
Layers of cream, sponge, strawberries, chocolate. It fell out of favor with the introduction of the Wall's Viennetta, but you'd still never turn down a slice of this yumness.
Om-nom-nom!
 

Friday, October 10, 2008

Life On Mars USA: The Pilot

Harvey Keitel replaces Philip Glenister as Lt. Gene Hunt
 
Okay, so last night the US version of Life On Mars premiered on ABC. For those who don't know, Life On Mars was a BBC show about a 'noughties' detective who is hit by a car and wakes up in 1973. He discovers he's still a cop, still has detective work to do, and has to solve the rather meta-phyical puzzle of how he got thjere and why. Did he travel in time? Is he dreaming this while in coma? Or has he simply gone insane? Quite the trifecta. The original, set in Manchester, UK, is a bleak view of the early 70's. The majority of the population are unionized factory workers, or shopkeepers, or bouncers in gentlemen's nightclubs. Women are still finding their place in society. Racists openly taunt and belittle non-whites to their faces without consequence. Yet the show also manages to slide a massive slice of warm nostalgia into this huge shite sandwich. It's a violent, it needs to be un-PC world, that portrays the world as it really was back then, one episode at time, walking the line between showing us how far we've come and how much we'd love to go back to live there. The show itself, however, is a cop show, based on a cross between The Sweeney and the original Get Carter. The Independent describes it as a "time when hair was long, lapels were wide, and police brutality came as standard." That pretty much sums it up.
 
The US version transplants the action to New York's East Village, which is apropos, as many of its denizens never made it out of the 70s anyway.
 
Jason O'Mara is the new Sam Tyler, Johnathan Murphy plays Chris Skelton
 
So, what did I think?
 
I didn't think it was all that bad. There were a few key moments where they hit it perfectly. Firstly, well they actually shelled out the cash to get Life On Mars and Baba O'Reilly on the soundtrack at the exact same points as the original. The shot of the World Trade Center that seals the deal that he's in 1973 is spot on, almost brought tears to Mrs Ski's eyes. All my hopes that they make this a kind of gritty, urban crime drama with a little wit thrown in, like a Starsky & Hutch, or Kojak, seem to have been fulfilled. It looks fantastic, a ton of attention has gone into the detail, and the CGI work that gives us New York 1973 is seamless.
 
Script-wise... Most of it was taken directly from the first episode of the original. There were obviously the changes in slang, and nicknaming Annie "No-Nuts" was a perfect hearkening back to 1977's The Choirboys (about dysfunctional and corrupt LA cops) who had a character called No Balls Hadley. Otherwise, it was a little hit-and-miss. There was too much exposition, not enough wit or one-liners, and no tension at all really between Tyler and Hunt, which is the key to the success of the show. Maybe they'll build that up more, but poor Keitel, who is seriously starting to look his age (69), didn't have much to work with in this pilot. His entrance, I have to admit is pretty classic, though... He's just standing there in the doorway to his office fanning himself - cut to Hunt gut-punching Tyler to show him who's in charge. However, it just felt a little rushed, and no surprise, as they had to get five plots that previously had an hour to breathe into 42 minutes which they didn't quite manage to do, so the impact of the event is lost somewhat.
 
Acting-wise, everyone was better than expected. Harvey Keitel needs to be tougher, but, as I said, they didn't give him much to work with. I was extremely impressed with Michael Imperioli as Ray, though. He seemed a lot more threatening and uncaring than Keitel, and it looks like they may turn much of the Tyler/Hunt tension into Tyler/Carling tension.
 
Music was good. Direction sucked, though. Too much focus on Tyler, and not enough background interplay between the other characters. This might change as the series progresses and they move away from the original scripts, but this should be much more of an ensemble piece than last night's episode was. 
 
All in all, I'm still optimistic about it. I think the show had a good start, but I'm not sure if it would have hooked me instantly quite the way the BBC version (and I saw that on a plane... I *needed* to know what happened as soon as I landed!) did. One major plus to it is the look of 1973 New York. Although it seems a little too clean to be real, the slightly grainy, earth-tone color correction of the world gives you a great feel for 1973 NYC.  I only hope enough people keep watching it to make it what it should be, an edgy 70's cop show with a 2008 detective in it.

Thursday, October 2, 2008

Ridski has sent you a custom Slacker radio station



What's happening, everyone! I built a little Made in the 70s internet radio station on Slacker.com. I'll be adding more bands and songs on it going forward, but this should be enough to get us all started. It's totally groovy, man.
Ridski sent you a personalized Slacker radio station. Check out the station details below or click here to start listening now.


Made in the 70s
Radio
Station Image
Made in the 70s
Made in the 70s plays the best music from Alan Parsons, Argent, Badfinger, Barry White, Billy Paul, Billy Preston, Boz Scaggs, Crosby, Stills & Nash, David Bowie, Deep Purple and many more!
Station Image


Your friend Ridski sent you this email. Please feel free to review our privacy policy. - www.slacker.com Copyright � 2007 Slacker, Inc.




Wednesday, September 24, 2008

Having Trouble Selling Your Product? Naked Hippie Chicks Work Everytime

 
 
It's true. If it wasn't for Ace Combs, we wouldn't be able to rock the Fu Manchu 'tache, cover our Bristols with nothing but hair, enjoy our four foot long combover or... Wait... There's no way Foxy Brown used that comb to frizz out her afro. It would take her all day and hurt like a mofo! What were they thinking?
 
Listen Foxy, forget Ace Combs, and those hippies to your right. They're no good to you. They don't know you like I know you. You need to get your bad self one of these:
 
 
You're damn right.

Cooler in the 70s: Car Chase Movies


Thanks to the current fuel crisis and the tanking economy, I tend to feel a pang of guilt whenever I switch the channel and stop to watch motorsports. As a kid, I loved motorsports and two of my biggest heroes were Formula One driver James Hunt and Motorcycle Grand Prix rider Barry_Sheene . Now I have the choice of NASCAR, F1, IndyCar, Drag Racing, MotoCross, Rally driving, Dirtbiking, etc... And I always feel like they might want to tone it down a bit and save some of that gas for the rest of us to keep the costs down a bit. Maybe play some NASCAR Thunder on the Wii instead, something like that.
 
Sure, there was an oil crisis also going on in 1973, but that didn't seem to stop anyone from making the kinds of movies where the main object of entertainment is ostensibly a 70 minute car chase across the northern California. Dirty Mary, Crazy Larry is one such film, but you could add Vanishing Point, Duel, Smokey and the Bandit, Convoy, Gone in 60 Seconds and Death Race 2000 to that list. Anytime you have a simple first reel set-up and 70 minutes or more of cars chasing each other, you've got a 1970's hit movie. Add some desert-road diners, a couple of gas station fights, and at least one middle-of-nowhere motel, and you have a blockbuster on your hands.
 
Dirty Mary, Crazy Larry is about a simple a set-up as it gets. Peter Fonda and Adam Roarke rob a supermarket, and discover their getaway vehicle has Susan George in it. Peter shagged Susan something rotten the night before, in a motel, but unbeknownst to him she's a wily drifter who discovers what they've done and forces them to let her tag along. Cue 70 minutes of spectacular high-speed car chases and mindblowing car and helicopter stunts.
 
There are some interesting points that make DMCL stand out from more commercial fare like Smokey and The Bandit, however. For a start, there's no musical score. There's a song at the beginning, one at the end, and a couple of times where Susan turns on the radio, or you hear one in the background, but there is no composed incidental music anywhere in the movie. It's a strange effect that brings you closer and closer to their world, as you hear nothing police radios and V8 engines as the soundtrack to their lives.
 
Another thing is that, despite knowing that these are criminals that just robbed a grocery store, their reasoning behind it (Fonda is a wannabe NASCAR driver and Roarke is his mechanic, but they couldn't get a sponsor to afford a car fast enough to enter any races) allows the audience to forget what they've done. We almost instantly like them, and all we care about is that these guys, with their free-wheeling lifestyle and easy charm, get away with it. At times, you even want their many attempts to ditch Susan George to succeed, as she does come across at a tad annoying. She is, though, an interesting character - a chronic liar, pretending to be a dumb blond trailer-trash good-time chick, but sometimes little moments of education and street smarts shine through, relentlessly clinging to Larry almost as a father figure, needing of attention and some kind of thrill in her otherwise mundane drifting life. The script finally gives her a backstory, provided by the police no less, but she herself has lied so much about her past I can't even believe what's on her criminal record. Suffice to say, she has one, and the two store robbers have one, and that means only thing. A shocking, but appropriate ending.
 
DMCL is a classic cult car chase movie that makes you forget how much gas costs now, even with the knowledge that back then, at the height of the 73 oil crisis, it was only 53c a gallon. Sit back, switch off your brain, enjoy the speed, and don't forget that this movie, when it came out in 74, was distributed almost exclusively to drive-in movie theaters.

Monday, September 1, 2008

Cracking open the famous Simon



If you didn't have a Simon, you knew someone who did. I didn't, but I didn't need one, as my trusty Merlin (see previous posts) had a Simon-like game on it. Yep, my Merlin was too cool for simple Simon.

This article, from CNET, opens the lid, literally, on Simon, and takes a look at what made him tick. Fun to see what back in 1978 we considered a "computer-controlled game", really...